2020s TV opening titles
The 2020s account for 422 of the 2,618 shows here, and 431 opening title sequences.
Drama leads the decade with 125, then crime with 81.
Netflix carries more of them than anyone else, with 91.
Seven rebuilt their titles mid-run.
Filed by first broadcast. A show that ran for thirty years appears once, under the decade it started in.
Most looked up
Pick a genre above for all 422
1 sequence
Pluribus
Vince Gilligan's first series after Breaking Bad and Better Call Saul, opened in twenty-one seconds of white dots on black that settle into the title and hold nothing else — no cast, no footage, no colour.
- Season 1
2 sequences
Wednesday
Gothic paper-cut animation and a harpsichord, doing in seventy-nine seconds what the Addams Family finger-snap did in eight.
- Season 1
- Season 2
2 sequences
Bridgerton
Engraved invitations, wax seals and bees, assembled like a society page being typeset — the gossip sheet that drives the plot, doing the credits.
- Season 1
- Season 2
1 sequence
Landman
West Texas oil patch, filmed with the same proprietorial eye Yellowstone brings to Montana.
- Season 1
3 sequences
House of the Dragon
The parent show mapped a continent; this one traces a bloodline. Where Game of Thrones built cities, these titles follow blood running through stone channels and a tapestry recording who killed whom.
- Season 1
- Season 2
- Season 3
1 sequence
Slow Horses
London surveillance imagery over a theme Mick Jagger wrote for the show — a spy series whose titles are as shabby and unglamorous as its office.
- Season 1
1 sequence
Fallout
Retro-futurist advertising for a world that ended — the games' Vault-Tec aesthetic reproduced exactly, and varied per episode.
- Season 1
1 sequence
From
'Que Sera, Sera' over a town nobody can leave — a cheerful standard used as a threat, which is the oldest trick in horror and still works.
- Season 1
2 sequences
Severance
A man walking through his own head, drawn as a corporate-training diagram that keeps folding back into itself. Oliver Latta's animation, and the best argument in years that a title sequence can be the thesis.
- Season 1
- Season 2
1 sequence
Ted Lasso
Twenty-two seconds of Richmond's own stadium seats, photographed close and covered in fan graffiti, over a brass hook — brisk, warm, and gone before it can outstay itself.
- Season 2
1 sequence
Beef
A different David Choe painting behind the title card of every episode, so the opening is a gallery hung one canvas at a time across the season.
- Season 1
1 sequence
Industry
Twenty-two seconds of type and glass. A trading-floor show whose opening is over before you have settled, which is roughly how the job is depicted.
- Season 1
3 sequences
The White Lotus
Colonial wallpaper that will not behave — painted paradise curdling into something predatory while the resort's guests are nowhere in it. Rebuilt from scratch for each new location, with a new theme every time.
- Season 1
- Season 2
- Season 3
1 sequence
Invincible
A title card that gets progressively more blood-spattered as the season goes on — the show's escalation, tracked in one graphic.
- Season 1
1 sequence
Silo
A cross-section of the silo, descending. The camera falls the length of a buried structure the characters spend the series failing to understand, which tells you the shape of the thing before the plot does.
- Season 1
1 sequence
The Bear
A kitchen show with no main titles at all — it opens cold, every week, which is exactly the sensation of a service starting.
- Season 3
1 sequence
Shrinking
Hand-drawn scribbles over domestic footage, in the register of a therapist's notebook margin.
- Season 1
1 sequence
Dexter: Resurrection
The continuation that throws away the two-minute breakfast ritual the original was famous for and replaces it with a six-second card.
- Season 1
1 sequence
Peacemaker
The entire cast dancing in formation, in costume, completely deadpan, to Wig Wam's 'Do Ya Wanna Taste It'. No plot content whatsoever, and the best argument on this site for titles as a bit.
- Season 1
1 sequence
Your Friends & Neighbors
Suburban wealth catalogued object by object — watches, cars and kitchens shot like an inventory, which is what the series turns them into.
- Season 1
1 sequence
The Gilded Age
Gold leaf, marble and needlework assembling into Fifth Avenue interiors — new money buying its way into an old frame, told entirely through surfaces.
- Season 1
1 sequence
Foundation
Mathematics rendered as architecture — the Prime Radiant's equations building and dissolving structures across millennia.
- Season 1
1 sequence
Daredevil: Born Again
The revival, which rebuilds the Netflix series' red-liquid city rather than replacing it.
- Season 1
1 sequence
The Night Agent
Surveillance geometry and a ringing phone, built out of the one object the whole premise hangs on.
- Season 1