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The catalogue

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The 60 most recent of 3187 shows, grouped by the day they arrived. The catalogue grows in batches — an era or a genre at a time — so the days are wildly uneven, and a long one is cut here rather than listed whole.

Also available as a feed.

60 of 743 shows

1 sequence

After Life

2019–2022NetflixComedy

Ricky Gervais on grief, in the smallest register he has ever worked in.

  • Season 1
1 sequence

Anne with an E

2017–2019CBC / NetflixDrama

Prince Edward Island in stop-motion paper and pressed flowers, over The Tragically Hip.

  • Season 1
1 sequence

Ash vs Evil Dead

2015–2018StarzHorror

A ten-second title card, which for a series this loud is the only restrained decision in it.

  • Season 1
1 sequence

Atypical

2017–2021NetflixComedy

Twenty-five seconds of hand-drawn Antarctic imagery, taken from the interests of the character it is about.

  • Season 1
1 sequence

Banshee

2013–2016CinemaxCrime

Amish country and violence intercut at the same speed, from the network's short-lived attempt at prestige action.

  • Season 1
1 sequence

Coupling

2000–2004BBC TwoComedy

Six friends in a bar, structured as farce rather than warmth — the British sitcom most often, and most unfairly, compared to Friends.

  • Season 1
1 sequence

Crash Landing on You

2019–2020tvNDrama

A South Korean heiress paraglides into North Korea, and the opening treats the border as scenery rather than politics.

  • Season 1
1 sequence

Erased

2016Fuji TVAnimation

A man sent back to his own childhood to prevent a murder, opened with the cold blue of a Hokkaido winter.

  • Season 1
1 sequence

Killing Eve

2018–2022BBC America / BBC OneCrime

Hand-drawn ink over a chase across Europe, in the register of a fashion illustration rather than a thriller.

  • Season 1
1 sequence

Lucifer

2016–2021Fox / NetflixDrama

Eleven seconds and a card, from a procedural that would rather get to the case.

  • Season 1
1 sequence

Mr Inbetween

2018–2021FXCrime

An Australian hitman's domestic life, opened in twelve seconds because the series has no interest in ceremony.

  • Season 1
1 sequence

The End of the F***ing World

2017–2019Channel 4 / NetflixDrama

Sixties pop over two teenagers on a road trip that is going to end badly — an opening that is much sweeter than anything it introduces.

  • Season 1
1 sequence

The Offer

2022Paramount+Drama

The making of The Godfather, opened in the visual language of the film it is about.

  • Season 1
1 sequence

WandaVision

2021Disney+Sci-Fi

A different decade's sitcom opening every week — hand-drawn fifties, animated sixties, video-tape seventies, saccharine eighties, mockumentary two-thousands — each one a faithful pastiche of a real show's titles, and each one a little more wrong than the last.

  • Season 1
1 sequence

Batman: Caped Crusader

2024–Prime VideoAnimation

The Animated Series team returning to a 1940s Gotham, with titles that quote their own 1992 sequence without repeating it.

  • Season 1
1 sequence

Bleach: Thousand-Year Blood War

2022–TV TokyoAnimation

The final arc animated a decade after the original series ended, with a new opening for each cour in the tradition the show established.

  • Season 1
1 sequence

Cobra Kai

2018–2025YouTube Red / NetflixDrama

The Karate Kid continued forty years on, with a title card that has been restaged in several different styles across the run.

  • Season 1
1 sequence

Daredevil: Born Again

2025–Disney+Crime

The revival, which rebuilds the Netflix series' red-liquid city rather than replacing it.

  • Season 1
1 sequence

Dexter: Original Sin

2024–Paramount+ with ShowtimeCrime

The prequel, which restages the breakfast routine of the original's titles for a younger version of the same man.

  • Season 1
1 sequence

From

2022–MGM+Horror

'Que Sera, Sera' over a town nobody can leave — a cheerful standard used as a threat, which is the oldest trick in horror and still works.

  • Season 1
1 sequence

Loki

2021–2023Disney+Sci-Fi

Bureaucratic typography and timeline diagrams — a superhero series whose titles are styled after an office that manages history.

  • Season 1
1 sequence

Only Fools and Horses

1981–2003BBC OneComedy

A theme sung by the show's own writer, explaining the premise in verse — and one of the very few British sitcom openings to have charted.

  • Season 1
1 sequence

Pluribus

2025–Apple TV+Sci-Fi

Vince Gilligan's first series after Breaking Bad and Better Call Saul, opened in twenty-one seconds.

  • Season 1
1 sequence

Pride and Prejudice

1995BBC OneDrama

Carl Davis's theme over needlework and a country lane — the adaptation against which every subsequent Austen has been measured.

  • Season 1
1 sequence

Star Wars: Visions

2021–Disney+Animation

Ten seconds and a card, deliberately — an anthology handing each episode to a different studio to open however it likes.

  • Season 1
1 sequence

The Agency

2024–Paramount+ with ShowtimeDrama

The American adaptation of The Bureau, which this catalogue could not find footage of in its original French.

  • Season 1
1 sequence

The Boroughs

2026NetflixDrama

A 2026 Netflix series — and the reason an earlier attempt at Suburra was rejected, since this is what that search kept returning.

  • Season 1
1 sequence

The Lord of the Rings: The Rings of Power

2022–Prime VideoDrama

Sand and iron filings moving into Chladni patterns under sound — a title sequence built by playing music at a physical surface rather than animating it.

  • Season 1
1 sequence

The Mandalorian

2019–2023Disney+Sci-Fi

A chapter card and Ludwig Göransson's bass recorder — the first live-action Star Wars series opens like a serial, which is what it is.

  • Season 1
1 sequence

The Rookie

2018–ABCCrime

Los Angeles patrol work, opened with the network-procedural confidence the format has run on since Hill Street Blues.

  • Season 1
1 sequence

Vikings

2013–2020HistoryDrama

Bodies sinking through water over Fever Ray's 'If I Had a Heart' — a history-channel drama with a title sequence better than its remit.

  • Season 1
1 sequence

Atlanta

2016–2022FXComedy

Donald Glover's series, opened with the same refusal to signal genre that the episodes run on — you are never told what kind of half-hour this is.

  • Season 1
1 sequence

Brass Eye

1997–2001Channel 4Comedy

The Day Today's successor, with a new themed opening built for each episode's subject — crime, drugs, science, sex.

  • Season 1
1 sequence

Brideshead Revisited

1981ITVDrama

Geoffrey Burgon's theme over an English country house — eleven hours of television that changed what British drama believed it could spend money on.

  • Season 1
1 sequence

Garth Marenghi's Darkplace

2004Channel 4Comedy

A title sequence pretending to be a lost 1980s horror series, complete with the production faults the conceit requires.

  • Season 1
1 sequence

I'm Alan Partridge

1997–2002BBC TwoComedy

A theme with all the brass of a chat show its subject is no longer allowed to host, over a Travel Tavern car park.

  • Season 1
1 sequence

Nathan For You

2013–2017Comedy CentralComedy

Twenty-seven seconds of business-advice-show graphics, delivered with the flatness that makes everything after it land.

  • Season 1
1 sequence

O.J.: Made in America

2016ESPNDocumentary

Nearly eight hours on one trial and a century of Los Angeles, opened in sixteen seconds because there is no time to spare.

  • Season 1
1 sequence

Peep Show

2003–2015Channel 4Comedy

Nineteen seconds and a card, for a comedy shot almost entirely from inside its characters' heads.

  • Season 4
1 sequence

The Day Today

1994BBC TwoComedy

News-graphics bombast pushed just past the point of sense — a parody so accurate that actual bulletins caught up with it within a decade.

  • Season 1
1 sequence

The Eric André Show

2012–Adult SwimComedy

A talk-show set destroyed by its own host before the first guest arrives — an opening that is demolished and rebuilt every episode.

  • Season 1
1 sequence

The Inbetweeners

2008–2010E4Comedy

Twenty-one seconds of school corridor, with no attempt to make any of the four look like someone you would want to be.

  • Season 1
1 sequence

The Singing Detective

1986BBC OneDrama

Dennis Potter's serial, in which a hospitalised writer's hallucinations arrive as 1940s dance numbers — and the titles set that up without explaining it.

  • Season 1
1 sequence

Tim and Eric Awesome Show, Great Job!

2007–2010Adult SwimComedy

Public-access video aesthetics reproduced exactly and then broken — twenty-two seconds that set the terms for a decade of internet comedy.

  • Season 1
1 sequence

Tinker Tailor Soldier Spy

1979BBC TwoDrama

A Russian nesting doll opening onto a blank face, over Geoffrey Burgon's setting of the Nunc Dimittis — the most quietly devastating title sequence the BBC has made.

  • Season 1
1 sequence

Top Boy

2011–2023Channel 4 / NetflixCrime

A Hackney estate shot from within rather than above, over Brian Eno's score — which is not the collaboration anyone predicted.

  • Season 1
1 sequence

Absolutely Fabulous

1992–2012BBC Two / BBC OneComedy

Twenty-one seconds of Julie Driscoll's 'This Wheel's on Fire', re-recorded for the show by its own star.

  • Season 1
1 sequence

I, Claudius

1976BBC TwoDrama

A snake crossing a Roman mosaic — one image, held for forty-five seconds, and among the most efficient title sequences ever made.

  • Season 1
1 sequence

L.A. Law

1986–1994NBCDrama

A car boot slamming on a personalised numberplate, and Mike Post again — the legal drama that defined the form for a decade.

  • Season 1
1 sequence

Late Night with David Letterman

1982–1993NBCComedy

New York at night shot from a moving car, over a jazz-organ theme — the opening that decided what a late-night talk show looks like.

  • Season 1
1 sequence

Lonesome Dove

1989CBSDrama

Basil Poledouris scoring a cattle drive from Texas to Montana — the miniseries that proved the western was not finished after all.

  • Season 1
1 sequence

Louie

2010–2015FXComedy

A man walking to a comedy club and eating a slice of pizza, singing his own theme — fifty-two seconds with no jokes in them.

  • Season 1
1 sequence

Playhouse 90

1956–1960CBSDrama

Ninety minutes of live original drama every week, and the anthology from which Rod Serling, John Frankenheimer and most of the era's writers emerged.

  • Season 1
1 sequence

Roots

1977ABCDrama

The miniseries that changed what American television believed it was allowed to broadcast, opened with Quincy Jones and a slave ship.

  • Season 1
1 sequence

Rowan & Martin's Laugh-In

1967–1973NBCComedy

Psychedelic panels opening onto one-liners, cut faster than anything else on 1960s television and directly responsible for the pacing of sketch comedy since.

  • Season 3
1 sequence

Soap

1977–1981ABCComedy

A narrator recapping a plot that has already become unmanageable, ending every week on the same weary question about what will happen next.

  • Season 1
2 sequences

South Park

1997–Comedy CentralAnimation

A banjo, a cut-paper Colorado town and four boys at a bus stop — re-recorded and re-animated repeatedly across nearly thirty years while staying recognisably the same twenty-nine seconds.

  • Season 1
  • Season 15
1 sequence

The Carol Burnett Show

1967–1978CBSComedy

Twenty-three seconds and a Bob Mackie gown, from the variety show that taught American television how a sketch ensemble should work.

  • Season 1
1 sequence

The Colbert Report

2005–2014Comedy CentralComedy

An eagle, a flag and a barrage of adjectives flying at the camera — a parody of cable-news branding so precise that cable news started copying it back.

  • Season 1
1 sequence

The Daily Show

1996–Comedy CentralComedy

A news-graphics package rebuilt for each of its four hosts, and the programme that made the fake-news desk a form.

  • Season 1

2325 shows have no recorded date and are not listed here. All shows includes them.