UPN opening titles
UPN accounts for 22 shows here, running from 1994 to 2019, and 31 opening title sequences between them.
Comedy leads with nine, then sci-fi with eight.
Four of them rebuilt their titles at least once — most of all Buffy the Vampire Slayer, with seven distinct sequences.
22 shows · 31 sequences · oldest first
9 of these moved between networks during their run and appear under each one.
1 sequenceSweet Valley High
The paperback series about twin sisters, adapted for television with real twins.
- Season 1
1 sequenceNowhere Man
A photojournalist whose entire identity is erased between courses of a dinner, over one photograph.
- Season 1
2 sequencesStar Trek: Voyager
The most purely beautiful of the Trek openings — Voyager skimming a comet, threading a nebula and sliding past a gas giant while Jerry Goldsmith writes the loneliest theme in the franchise. Nothing about it is in a hurry to get home.
- Seasons 1–3
- Seasons 4–7
2 sequencesClueless
The film continued at Bronson Alcott High, with most of the cast replaced and Dionne kept.
- Season 1
- Season 3
1 sequenceMalcolm & Eddie
Malcolm-Jamal Warner and Eddie Griffin sharing a Kansas City bar, four years after The Cosby Show ended.
- Season 1
1 sequenceMoesha
Brandy Norwood as a Los Angeles teenager, and UPN's first real hit.
- Season 1
1 sequenceThe Sentinel
A detective whose five senses were permanently heightened by eighteen months alone in the jungle.
- Season 1
7 sequencesBuffy the Vampire Slayer
An organ sting, a shot of the moon, and then Nerf Herder's surf-punk theme over black-and-white monster-movie footage that bursts into colour. The design never changed in seven years; the fifty seconds behind it were re-cut every one of them.
- Season 1
- Season 2
- Season 3
- and 4 more
1 sequenceSeven Days
A government project that can send one man back exactly seven days, once, to undo a disaster.
- Season 1
1 sequenceHome Movies
Nineteen seconds, squiggle-drawn, from the series that established the improvised-dialogue style its creator would later bring to Bob's Burgers.
- Season 1
1 sequenceRoswell
Dido over a New Mexico desert, for a series that treats an alien conspiracy as primarily a problem of adolescence.
- Season 1
1 sequenceThe Parkers
The Moesha spin-off, with a mother and daughter enrolled at the same community college.
- Season 1
1 sequenceOne on One
A Baltimore sports broadcaster whose teenage daughter moves in with him, and the spine of UPN's comedy block for five years.
- Season 1
1 sequenceSpecial Unit 2
A Chicago police unit whose caseload is entirely mythological, and which nobody else in the department believes exists.
- Season 1
2 sequencesStar Trek: Enterprise
The franchise's most argued-over opening: no orchestra, no starfield, but a montage of real human exploration — sailing ships, biplanes, spacesuits — under a soft-rock ballad. Half the audience never forgave it, which is its own kind of achievement.
- Seasons 1–2
- Seasons 3–4
1 sequenceHalf & Half
Two half-sisters who grew up apart, living in the same San Francisco building as adults.
- Season 1
1 sequenceAll of Us
A blended family sitcom produced by Will and Jada Pinkett Smith, out of their own circumstances.
- Season 1
1 sequenceAmerica's Next Top Model
The format that ran for twenty-four cycles and rebuilt its titles for most of them.
- Season 1
1 sequenceEve
The rapper Eve as a Miami fashion designer, in one of the run of sitcoms UPN built its Monday nights on.
- Season 1
1 sequenceJake 2.0
An NSA computer technician infused with nanites in an accident, and made a field agent because of it.
- Season 1
1 sequenceVeronica Mars
The Dandy Warhols over surveillance photographs and a Californian beach town that is much worse than it looks.
- Season 1
1 sequenceEverybody Hates Chris
Chris Rock narrating his own Bed-Stuy adolescence, opened by the family on the stoop.
- Season 1