3%
Netflix's first Brazilian original: a selection process that lets three in a hundred cross to the other side.
3% opens with a main title sequence of 68 seconds.
It arrived on Netflix in 2016, when Mystery Science Theater 3000, Arrested Development and Top Boy were also on the network.
The opening titles
Season 1
68sFaces rise out of a cold grey murk and come apart as they arrive — each one breaking into small rectangular shards and pixel noise that drift off into the dark, with the Portuguese credits set in thin white caps beside them. Almost no colour in it beyond the blue-grey, and every face is treated the same way, which is the selection the show is about.
More sci-fi opening titles from the 2010s
1 sequenceStranger Things
Red letters assembling out of the dark in ITC Benguiat, glowing at the edges like a paperback cover left in the sun. An argument that a title sequence can be nothing but type and still do all the work.
- Seasons 1–4
1 sequenceFor All Mankind
Archive footage of the space race, doctored — real newsreel edited so that the alternate history it depicts appears to have actually been filmed.
- Season 1
3 sequencesDark
Faces split and mirrored against themselves, reflected into a second image that is never quite the same person — a show about the same people at four ages, saying so before a word is spoken.
- Season 1
- Season 2
- Season 3
1 sequenceThe Man in the High Castle
Dick's occupied America, opened by newsreel light thrown across a map that has the wrong flags on it.
- Season 1
1 sequenceBlack Mirror
A screen cracking, and that is the whole thing. Eighteen seconds of glitch and a fracture spreading across black glass — an anthology refusing to introduce anything, because each episode is a different show.
- Seasons 1–7
1 sequencePerson of Interest
Surveillance footage narrated by the machine watching it — an opening delivered from the point of view of the software, years before that was a common idea.
- Season 1
