Andor
A Star Wars show that refuses the fanfare: a plain card, a few bars, and straight in. The restraint is the statement.
Andor kept one opening title sequence, 40 seconds long, across seasons 1–2.
At 40 seconds, it opens well under the 58-second median for sci-fi sequences in this catalogue.
It arrived on Disney+ in 2022, when The Mandalorian, Chip 'n' Dale: Park Life and Monsters at Work were also on the network.
The opening titles
Seasons 1–2
40sNo sequence — a title card and Nicholas Britell's theme, and the episode begins.
More sci-fi opening titles from the 2020s
1 sequence
Pluribus
Vince Gilligan's first series after Breaking Bad and Better Call Saul, opened in twenty-one seconds of white dots on black that settle into the title and hold nothing else — no cast, no footage, no colour.
- Season 1
1 sequence
Fallout
Retro-futurist advertising for a world that ended — the games' Vault-Tec aesthetic reproduced exactly, and varied per episode.
- Season 1
2 sequences
Severance
A man walking through his own head, drawn as a corporate-training diagram that keeps folding back into itself. Oliver Latta's animation, and the best argument in years that a title sequence can be the thesis.
- Season 1
- Season 2
1 sequence
Silo
A cross-section of the silo, descending. The camera falls the length of a buried structure the characters spend the series failing to understand, which tells you the shape of the thing before the plot does.
- Season 1
1 sequence
Foundation
Mathematics rendered as architecture — the Prime Radiant's equations building and dissolving structures across millennia.
- Season 1
1 sequenceAlice in Borderland
An emptied Tokyo shot as architecture — Shibuya with nobody in it, which is more unsettling than anything the games do.
- Season 1