Star Trek
The one that set the shape of every space-opera opening since: a ship crossing the frame, a captain narrating a mission statement, and a melody built to be hummed. Alexander Courage wrote it as a fanfare and a lounge tune at the same time.
Star Trek rebuilt its titles: two distinct opening sequences are catalogued here across seasons 1–3, running between 50 and 60 seconds.
It arrived on NBC in 1966, when Truth or Consequences, Another World and Search for Tomorrow were also on the network.
Only 139 of the 2,618 shows catalogued here changed their titles at all; Star Trek did so once.
All 2 opening title sequences
Season 1
50sThe first version, with Loulie Jean Norman's wordless soprano floating over Alexander Courage's theme and Shatner's narration ending on 'no man has gone before'. Only Shatner and Nimoy are named in the main titles.
Seasons 2–3
60sRe-recorded for season 2 — the soprano vocal is dropped in favour of a punchier brass and organ arrangement, and DeForest Kelley finally joins Shatner and Nimoy in the main title cards.
More sci-fi opening titles from the 1960s
10 sequencesDoctor Who
Rebuilt for almost every Doctor, and each rebuild invented its own technique — a camera filming its own monitor, light photographed through moving slots, and finally the first computer-generated titles on British television.
- Seasons 1–3
- Seasons 4–6
- Seasons 7–10
- and 7 more
1 sequenceThe Prisoner
Thunder, a Lotus Seven driven hard past Parliament, a resignation letter slammed onto a desk, and then gas under the door of a man's own flat. Two minutes that explain the entire premise without a narrator, and end with the only line the show ever needed: I am not a number.
- Season 1
1 sequenceThunderbirds
Five, four, three, two, one — the countdown, the launch bays, and Barry Gray's march. Probably the most quoted title sequence Britain has produced.
- Season 1
1 sequenceLost in Space
John Williams, decades before anyone was calling him that, writing a fanfare for a family stranded in a jelly-mould spaceship.
- Season 1
1 sequenceThe Outer Limits
The control-voice narration that takes over your television set — a premise so effective that the sequence is better remembered than most of the episodes.
- Season 1
1 sequenceThe Invaders
A Quinn Martin series about one man who knows and cannot prove it, narrated in the second person.
- Season 1
